*GATOR SPRINGS GAZETTE
a literary journal of the fictional persuasion

CRY FOR US, TOO

A TASTE OF HAIGA
introducing the work of Jerry Dreesen

Most of you are familiar with haiku, the poetic art form that came into huge popularity in the 17th century, affording the population with a new and different way to capture the moment, more specifically one of the author's perception of nature.

We do love all of our senses to be involved when we capture the moment and it was only a matter of time before early haiku was combined with art to create the form of haiga (haiku pictures).

As any student will have been taught at some point in their education, there is more to haiku than stringing together 17 syllables in three lines of 5, 7 and 5 syllables respectively. We don't have the space or expertise to get into that here, but it is worth looking into when you have the time.

There are similar imperatives to consider when working with haiga. In his book Haiku Painting (Kodansha International, Tokyo/New York/San Francisco,1982), Leon Zolbrod says that haiga are characterized by "restraint in pigmentation, free and flowing line work, and elimination of unnecessary detail. There is often a light or frivolous touch suggestive of irony or amusement, even when the subject of the painting is serious."

In the modern haiga created by Jerry Dreesen and his contemporaries, we may find themes that transcend the Zen simplicity of the early masters, but the essence is still there. We hope you will enjoy the works presented on these pages for the Fandango Virtual archive.

The haiga images illustrating the print version of CRY FOR US, TOO and sampled in the online version over three months represented only a portion of Jerry's collection of modern American haiga. In this issue we have focused on the works including Jerry's own verse with his art, but Jerry's illustrations of haiku masters such as Basho and Issa are worth seeing if you get the chance.

© Carrie Berry 2005
heron watercolor © Jerry Dreesen 2005




Jerry Dreesen has been writing poetry for more than forty years and has been with Fandango Virtual from the beginning. Since retirement, he has discovered the challenging world of haiku and the art of haiga, the blending of art and haiku into one art form.

The links in the print version are no longer active, but you can see much of this work and forays into other artforms as well on his instagram site. @jerrydreesen

All haiga and watercolour art shown on these pages © Jerry Dreesen 2005

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