DAWN EDGES OVER THE CURVED HORIZON

With dawn in Indiana cheating sparrows mass
the branches where owls had caressed in autumn
when barren of foliage and even the most fool
could see the who perched but during the summer
of the rampant leaves and shadows scudding
with the clouds I shouldered and aimed my Daisy
toward passage rite of murder from innocence
to manhood and with first bird down I grew large,
full of the happy juice of success, and at my feet
the crumpled flesh flaccid with its wet wound
I could not touch touched me with what I'd done.
Now I in Indiana dawn after the night of the gift
realized that life would be so much taking
with violence a little innocence I had or it might
be the violent taking of some innocence from the world--
this is how it would come to be that I would know
no innocence; rather I would see in the worm
survival of a fittest that I might never understand.

In the latest hour after midnight shift the millwork
overtime at my back the sanctimonious feel of work
done well in my groin and the ritual ache and a smile
of pocketed first paycheck toward conquest of a childish
fear I took me bold with a swagger in my mind
up to that house where honest men who had shaved
themselves longer than I had been solemnly grouped
in the parlor with its high Hoosier decor and I said hellos
naming all around ignorant of being unaware among friends
not there in the crowd where we sat huddled on the dark
divan and I first time oblivious feet upon the ottoman
and to myself thinking about sparrows their crumpled
flesh flaccid and the wet wound I could not touch
suddenly touching me with what I had done.
Now I in Indiana in the latest hour had given
myself without violence or so I thought though violence
had in my heart indwelled stole up with its memory
of murder of a fittest that I'd never understand.

These moments are the whole of life, its truth
if ever there were a truth, the outer world of science
and the inner core of philosophy, their truth--
I am the victim of my own good aim;
the prey I would not be; the sparrow and owl
are one flight; the hunted and hunter, one beast;
worker and work are me.
Will you never sleep
long and straight, arms unfurled
in anticipation of a dreamed embrace?

Uncurl and untwist your sleep;
there's no need for uncertain position.

© John Horváth Jr

Commentary:

Form here weds meaning. Compound complex sentences and the rush of new emotions that spill over from one event to the next. And memory fragments it all into comprehensible parts. We recall moments from the life of a deceased loved one, as if those brief moments were 'life' itself. Three stanzas suggest life, life's beginning, middle and end. But those last two lines: is the end actually the end? Is the horizon curved? We absolutely KNOW that the earth is round? Then those last two lines when the speaker turns to direct address. Who is addressed at the end?

John Horváth Jr
Bonfire contributor